Colouring: “Nash”

“Nash” is the main character of the Self-Negotiated Brief project which we were given to do last year at University. I have since chosen to continue on with this character, and storyline, and develop it into a proper comic book sequence. I also have the aspiration to get the potential comic book published – but it is very early days yet!

Here is a quick video I created during the summer break from uni, in which I demonstrate how I colour my more “comic book-esque” style of art. My medium of choice is Copic Markers, as I feel that they give off a rather nice watercolour effect, without the hassle of paints running or the mess which usually comes with it. It is a medium used by countless industry professionals in recent years, and have been a valuable asset to the creation of my art and characters.

The music accompanying the video is “Penetrate” by the band “Godhead” (taken from the Queen of the Damned Soundtrack Album). I chose to use this music because it is the type of music which I imagine the character of “Nash” would play in his band in the comic book. It is also a fairly mellow sounding song for the most part, which I think generally tends to go well with speed drawing / speed colouring videos (although, it also really tends on the subject of the art piece too). I will be able to elaborate more on the overall narrative of the story, once I have thought it through in a bit more depth – until then, we’ll just have to wait and see!

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PROCESS

  1. I always start with an E00 base, purely because it is a nice pale tone, which blends well with the proceeding skin tones.
  2. Recently, I’ve started using the BV00 “Mauve Shadow” colour to create the base for the more shadowed areas of the face. This was suggested to me by a tutor, and once I had gotten over the initial feeling of “bah, preposterous!” I found that it just adds that little bit more depth when you layer the next skin tone over it.
  3. The colour which I use for a medium skintone is E21. It has a nice, warm, slightly orange hue which gives a bit more of an impression of depth and contour in a characters skin. I only overlap it over the BV00 slightly, so that the highlight effect of the E00 is still quite prominent. For the lips, I start usually with E21 as well, depending on whether the character is male / female and with / without makeup.
  4. I also use YR02 to shade in the darker sections of the lips, as it offers up a slightly orange tone, with a very slight peach hue to it.
  5. I used BG01 for the base colour of the iris, because it was quite a pale blue, without it looking too “minty”.
  6. I used RV42 around the eyes to give them a sunken look, or a look which tends to come with a heavy lack of sleep.
  7. E04 was used to to shade in the sunken eyes, as it has a nice earthy purple tone to it, which I also use quite a lot to show bruising on a character.
  8. Because “Nash” starts to become “posessed” within the frame of the story, I felt that something unusual needed to be done to the appearance of his eyes. I decided to colour the sclera completely black, because I thought it looked quite unusual and a little bit sinister too.
  9. C-3 grey was used to create a base stubble effect for his facial hair – I also tend to use this on characters which have shaved heads.
  10. I chose to use E37 brown for the soul patch and beard, because coupled together with E47 brown, it gave off the impression of depth and varied hair colour, which tends to usually be the case with a lot of beards / facial hair.
  11. E47 brown was also used to colour in “Nash’s” hair. The one truly wonderful thing about Copic Markers, that I find, is the flick effect you get when applying pressure to the nib when colouring, and then releasing, so as to create a great impression of strands of hair.
  12. I used C-3 for the base of his shirt – using the pressure technique again to make the colour seem as though it is fading out at the bottom of the picture.

A Discussion with Valen Vain

The wonderful thing about being a freelancer, is the variety of clientel that you come across over the weeks and months. Valen Vain (Alt. Model) is a very fascinating client, in particular.

Image © Valen Vain

Having met a while back through mutual friends of friends, our professional relationship began when he commissioned me for a portrait / tshirt / webpage banner design back in August / September.

Recently, he contacted me again, with the proposition of receiving more paid commission work for the forseeable future. The work he has asked me to do, involves creating a recurring “Mascot” character, to be featured on flyers and posters. These promotional formats will be made to spread the word of a local “fetish Night” which he organises and participates in.

Already having a love for character design and altrnative art themes, this is the perfect brief for me, at this moment in time. It also ties together well with all the client work we have to get involved in this academic year, so I feel incredibly fortunate at this stage.

Here are the notes which I pieced together during our conversation:

I will be documenting this creative venture for my CaTS (Critical and Theoretical Studies) assignment, as we are encouraged to go out and find paid work. I will be uploading concept sketches, any conversations the client and I have, progress videos and so on. This will be used as evidence in my final report. I am looking forward to seeing the process and results of this project!

“Dark Angel” (S.O.P.H.I.E Foundation)

Five years on from the death of Sophie Lancaster – a girl murdered for being a “Goth”, a great deal of us in the gothic and alternative community still feel saddened by what happened. Sophie was a bright, creative girl who was loved a great deal by many, many people. The attack was completely unprovoked, and was carried out simply because she, and her boyfriend Robert Maltby, were dressed in a particular manner.

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(Segment taken from WIKIPEDIA)

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While returning home, Lancaster and Maltby were subjected to a “vicious mob attack” from “a large group of people” between 01:10 hours and 01:20 hours on Saturday, 11 August 2007, at the skate park area of Stubbylee Park, Bacup. The couple were walking home and came across a group of teenagers at the entrance to the park.The group followed them, but there was no trouble until some of them suddenly assaulted Robert Maltby without provocation. When he was knocked unconscious, the gang attacked Sophie Lancaster, who was trying to protect him by cradling him in her arms. A 15-year-old witness told police: “They were running over and just kicking her in the head and jumping up and down on her head.” One distraught witness used a mobile phone to call for emergency services saying: “We need… we need an ambulance at Bacup Park, this mosher has just been banged because he’s a mosher.”Witnesses revealed that afterwards, “The killers celebrated their attack on the goths — or “moshers” – by telling friends afterwards that they had “done summat [something] good,” and claiming: “There’s two moshers nearly dead up Bacup park — you wanna see them — they’re a right mess.”The injured couple were assisted by some of the teenagers who called emergency services and then stayed with them and tried to tend their wounds. At the trial they were commended by the judge.
Police said soon afterwards that it was “a sustained attack during the course of which the pair received serious head injuries and their faces were so swollen we could not ascertain which one was female and which one was male.” Both were hospitalised as a result of the attack, initially at Rochdale Infirmary.Maltby’s injuries left him in a coma with bleeding on the brain. He gradually recovered, but was left with lasting brain damage. Lancaster, in a deep coma, was moved to Fairfield Hospital in Bury, then to the Neurology unit at Hope Hospital in Salford. It became clear to hospital staff that she would never regain consciousness, and on 24 August 2007 her family agreed to switch off life support.

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NEWS COVERAGE

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SOPHIE’S FUNERAL

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Since these harrowing events, multiple charities and tributes have been put in place by members of her family, friends, and people amongst the gothic community worldwide. Her mother, Sylvia Lancaster, set up the S.O.P.H.I.E Foundation (Stamp Out Prejudice Hatred and Intolerance Everywhere), in honour of her daughter. The Foundation was put in place to send out awareness of bullying towards people in alternative subcultures or “lifestyle and dress”. They have done presentations in schools, charity events, television appeals and brought up awareness through the use of social media. Many musicians have dedicated albums, songs, and performances to her memory. At Bloodstock Open Air (B.O.A) Festival, there is a stage dedicated to her, upon which some of her favorite bands have played.

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The homepage of the S.O.P.H.I.E Foundation can be found here: http://www.sophielancasterfoundation.com/

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An animated video was commissioned by Illamasqua (http://www.illamasqua.com/)  in order to spread awareness about the incident, and raise the £500,000 required for the funding of teaching in various schools. Directed by Award-Winning French director Fursy Teyssier (http://www.lesdiscrets.com/), produced by creative agency Propaganda (http://www.propaganda.co.uk/), with contributions by British Band Portishead (http://www.portishead.co.uk/), this animated film “Dark Angel” displays the raw emotion and heartbreak which occurred on that night in 2007.

A “Making Of / Behind the Scenes” video was also documented to accompany the animation. It includes interviews with the Director, Sophie’s mother Sylvia, multiple artists and team who worked together to created the full sequence. As always I am absolutely fascinated by this insight into its creation. It also shows the premiere of the animated film, infront of an audience of Sophie’s peers and friends.

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“DARK ANGEL”

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“BEHIND THE SCENES”

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University – Year One

I accumulated so many video clips during my first year of University, that I decided to edit them all together as a gift to all of the wonderful people I met and hung out with. It has been a fantastic first year in higher education, I couldn’t have asked to spend it with a better bunch of individuals!

From concerts to the workplace, nights out and nights in, here is a collection of the best and quirkiest moments from me and my friends! There are so many good memories included in this video, it makes me gain a little smile whenever I watch it through. Of course, the music accompanying the video had to be equally as merry! What better than some retro and retro-sounding hits to set the mood?

Here’s to another brilliant year together, folks!

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A retrospecive look at the hijinks that me and my friends have gotten up to during the past year at University.

Music:
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Louie Louie – The Kingsmen
Blues Hand Me Down – Vintage Trouble
20th Century Boy – T REX

“Spring Awakening” Tshirt Commission

Referring back to my previous post on “Spring Awakening” (“Spring Awakening” @ Hull Truck Theatre), I was commissioned by the lead actor (and director) of the production, to create a tshirt design for him, which he intended to use in the final performance of the show. I have since been commissioned again by James Ramon-Baker to create several designs for a potential CD cover, for the “Cast Recording” Album which will be released soon.

He had previously asked me to create the tshirt design, but the intention to use it in one of the performances was decided upon after I had actually finished making it. It was created as a one-off use piece (as I did not have any access to decent fabric pens at the time) with Crayola felt-tips purchased at Tesco. He stated that he wanted the title of the production on the tshirt, with a “Chibi-esque” portrait of his character on the front, surrounding red font saying “Blah” multiple times, and the phrase “Totally Fu**ed” scrawled across the back (in reference to one of the songs). James supplied the tshirt for the project, free of charge.

I say “Chibi-esque”, as my stylised form of caricature has roots in the “Japanese Manga” style. The style was originally similar to the generic sort of “Chibi” look, but has since evolved into my own aesthetic over time – for example, the large, empty, white eyes. The design of these stylised portraits has, over recent months, proved very popular with people in the local alternative community, and various people and projects as far as Nottingham and Sheffield. This has made me immensely proud, and I am looking forward to other collaborations and ventures using them in the days and months to come!
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THE FINISHED DESIGN

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FRONT DESIGN

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BACK DESIGN