Narrative “Buzzwords” – Set #01

Going back through some old blog posts on this site and my old DeviantART account, I came across each of the variations of the well-known and immensely popular “100 Themes Challenge”. It is as the title says, you are given 100 different words / phrases to use for starting points in order to create a piece of artwork. This is a really massive helper towards building up a portfolio, so I have always had it in mind and on the back-burner til whenever I have needed it.

Thinking about the basic idea behind my Final Major Project (F.M.P.) – the story of a canine silent film star – having these buzzwords on hand give me great ideas for animated shorts to use within the animation. I may even get to the point with the project where I just create a small series of animated shorts in the silent film style, so that I have the chance to incorporate a lot more of these words into the finished products.

Because each word and its definition is so open to interpretation with this project, I can definitely have some real fun in how I choose to portray it to my potential audience. The most simple notions such as “love”, “stripes”, “foreign” and even “do not disturb” have a wealth of possibilities for narrative inspiration. I am going to choose a handful of words from each, and list them below (perhaps with more in a proceeding blog post) together with any ideas I draw from them. This will not only help to encourage narrative ideas, but also it will help phenomenally with the aesthetic choices which I will bear in mind, along with concept sketches and particular research elements too, when the time and need arises. Through this, I will narrow down each of my lists of ideas to a select few, which I may believe to have the most potential, and focus my main body of work on those.

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  • INTRODUCTION
    A “Merrie Melodies” style opening, somewhat along the same lines as the MGM Lion, with the Jack Russel characters face popping up in the centre of the screen.
  • LOVE –
    The Jack Russel sees a female dog in the garden next door and becomes besotted with her. He tries everything he can to woo her – bringing her flowers, doing back-flips, wearing a little dickie bow-tie, giving her his favorite toys and a big tasty bone. One day she isn’t in the garden and he sulks all day. The next day he sulks in the garden again, and hears a familiar noise. He walks over to the fence and the female dog licks his nose through a hole in one of the panels.
  • LIGHT –
    The dog and its female owner are walking home one evening and see a suspicious flickering light. The little dog sneakily runs off to investigate, and comes across a German spy, who is signalling to the planes flying overhead. The little dog runs up and bites him on the bottom whilst the woman calls a policeman over.
  • SEEKING SOLACE –
    The female owner of the dog is sad because her husband has gone off to war, and she will not see him again for a long time. The dog does everything he can to console her, patting her on the back, bringing her photos and sweets, doing tricks and generally keeping happy so that she stays happy in the meanwhile.
  • DRIVE –
    The dog and the owner go for a drive along in their motorbike and sidecar.
  • MISFORTUNE –
    The dog is a companion of a homeless wanderer, who has no money for food. They travel along together, begging and searching for charity, but they find none. The dog, who disapproves especially of the rich peoples rudeness, mocks them, walking along behind them on its hind legs doing impressions of them. People see this and start throwing money in the homeless persons hat.
  • SMILE –
    A baby is having its photo taken and will not stop crying. The little dog sees this and jumps up, being silly, in a bid to make the child laugh.
  • GREY –
    The dog makes friends with an old man who is sat in the park feeding the ducks.
  • VACATION –
    The Jack Russel and its owner / owners take a trip to the seaside on a typical summer holiday sort of affair. It will include scenes of the owners sharing an ice cream with the dog, the dog coming out of the sea after a swim, each character sunbathing, and the dog burying / digging someone up in a comical fashion.
  • CAT –
    The owners get a kitten and the dog does not appreciate it. He does not like the cat at all. But, the kitten loves him very much. It is a love hate relationship. One day the kitten is outside playing and another dog starts to bark at it. The little dog runs to the rescue, boxing the much larger dog in the face.
  • NO TIME –
    The owner is incredibly busy running around the house trying to clean it, running off to work, doing all sorts of other odd job and chores, and has no time to play with the dog. The dog sulks for ages, not listening to the owner when he does finally have time to play. The owner gives him a brand new bone and a big fuss and all is well in the end.
  • TROUBLE LURKING –
    A woman is sat in a cafe / diner, having a pleasant enough meal. The homeless little dog watches her with her meal, wishing he could have a little bite to eat. A lecherous man comes along and starts to harass her. The little dog, ever the hero, runs along inside and starting barking at the man, nipping at his legs. The man tries to kick him away and resume his activities, but the dog runs up inside his coat and starts nipping him. Other people can see the dogs tail hanging out of the bottom of the coat as though it were the mans own (in homage to “A Dogs Life” by Chaplin). The dog hops up on a table and when the man tries to have a go at it, the dog boxes him in the eye, knocking him flat. The name of this sketch would be something witty like “Punch & Judy”.
  • FOREIGN –
    The dog is at a dog show, trying to look his best in a little dickie bow-tie. Another couple of dogs come and sit at either side of him during the judging. They are foreign breeds which he has never seen before. One is a shih-tzu and the other is a Russian borzoi. He looks utterly confused t the two of them , then at the camera.
  • UNDER THE RAIN –
    It is pouring it down with rain and the little dog tries everything it can to get under his owners umbrella, getting him completely soaking wet in the process.
  • FLOWERS –
    A man is nervous about asking a woman out on a date, and doesn’t have a clue about how to ask her. The dog sees this, and decides to  run off from his owner. On the way, the dog snatches up any flowers along the path, which includes going in peoples gardens. Eventually the dog reaches the woman who is just leaving her house. She pats the dog on the head, taking the flowers from his mouth. She looks at the dog, who points at the man running after him, signalling that it was his idea. She gives the man a peck on the cheek, and the reel ends.
  • STARS –
    The little Jack Russel runs through a Hollywood movie studio, inadvertently running onto the sets of different famous silent films of the 1920’s, bumping into the famous stars of the time on the way. At the end, he runs into Chaplin’s dressing room, knocking into a table and getting one of the fake mustaches stuck to the end of his nose, and a hat falls on his head. Chaplin himself walks in, and finds him utterly delightful. At the end of the animation, the dog and Charlie Chaplin waddle off in the style of the Little Tramp.
  • HOLD MY HAND –
    The increasingly frustrated owner of the dog, a man, tries to teach the Jack Russel some new tricks to impress his lady friend. The dog is completely uncooperative and looks back at him with confusion, until the woman comes along, and it behaves perfectly when she asks it to perform tricks for her.
  • PRECIOUS TREASURE –
    The Jack Russel spends all day digging and digging and digging, coming across buried treasure and trinkets and ignoring them, until he finds a comically over-sized dinosaur bone.
  • ABANDONED –
    A small sequence showing the origins of the little Jack Russel, and how he was abandoned as a puppy by his previous owners.
  • DREAMS –
    The little dog dreaming about having a nice home with a nice owner who will look after him and who he will love in return.
  • TEAMWORK –
    A man is in a tag-team wrestling match when his partner gets knocked down. The little dog, who is watching, jumps in the ring, gets up on his hind legs, and starts doing boxing actions with his hand.
  • STANDING STILL-
    The dog sees one of those living statue performers in a town square and tries to mock him by doing the exact same things, inadvertently taking all of his customers away. When the man gets angry and tries to boot him, the dog bits him on the bottom and ruins his act, making everyone watching laugh.
  • STRIPES –
    The owner and the dog go to the zoo and the Jack Russel is baffled by a tiger, and starts barking at it and playing with it through the glass.
  • SPORT –
    The little dog becomes a member of the local football team when his owner hurts his leg.
  • DEEP IN THOUGHT –
    The owner is sat with a pipe in his mouth, looking inquisitive and ponderous. The dog tries to get his attention, doing even more bizarre things to gain his attention every time the camera cuts back and forth between them.
  • FAIRY TALE –
    The dog is playing in the garden one day and stumbles across some fairies who start to play with it.
  • MULTITASKING –
    The dog and the lady owner are cleaning the house together in a whimsical manner. The dog is sat on a towel as the owner washes the windows, dusts the shelf and moves the towel around with her foot, cleaning the floor, using the dog as a weight. The dog has a dustpan brush in its mouth, sweeping as everything goes along. At the end, the pair are all tuckered out, asleep in a living room chair together.
  • PLAYING THE MELODY –
    The little dog sitting next to his owner on the piano, hitting keys when he is trying to play. They end up playing a little ditty together which proves hugely entertaining all around.
  • HERO –
    A little child is playing with the dog, after reading a superhero themed comic book. The child ties a blanket around the dogs neck and pretends that it is a superhero, and they have a jolly good playtime.
  • MIRROR –
    The dog is walking through the house one day when it comes across a full length mirror and mistakes his reflection for another dog, proceeding to challenge it and act like the alpha.
  • DRINK –
    The dog and its owner go to the pub for some form of celebration (undecided as of yet). Whilst the owner is sat merrily drinking away with his buddies, the dog, sat on the floor next to the table, spots a pint glass near by. He approaches it and starts to drink from it. Next thing you now, the dog is on its back with its leg twitching, as thought it were merrily drunk.
  • PEN AND PAPER –
    The little dog is at an event signing autographs with a paw-print and a scribble with a pen in his mouth on a piece of paper or a photograph.
  • FOOD –
    The man is preparing dinner for a woman and is trying his best to keep the dog off the table and away from the food. He gets very frustrated when he has to keep doing it, but the dog is suddenly gone and nowhere to be seen. His date arrives and they are seated at the table. He lifts the lid from the platter with the chicken in it to find the dog laid on its back with a fat, satisfied belly.
  • ADVERTISEMENT –
    A dog food advert featuring our little canine hero, in typical cheesy 1940’s fashion.
  • SAFETY FIRST –
    The dog and its owner get all geared up to go on a motorcycle ride, complete with a sidecar for the dog to sit in. Sequence consists of them putting on each piece of gear before they saddle up and go for a ride.

“Black Dog Days” Aesthetic Style

A STILL FROM “COFFEE & CIGARETTES”

We were asked to compile images and style references which we were going to use in our Narrative based animations. Right through from the start – regardless of what visual style I wanted (ink / cross hatch / traditional), I wanted my animation to have a very “Coffee and Cigarettes” feel to its layout. “Coffee and Cigarettes” is a film by Jim Jarmusch, starring the likes of Tom Waits (a creator of sound-scapes like no other, who has been a heavy influence on the process of this project), Iggy Pop, Jack White, Steve Buscemi, Bill Murray and a whole array of people from both music and cinema. The film is in black and white, and has a very gritty, almost film noir sort of vibe, which I wanted to bring through in my piece when it comes to the colouring.

Especially regarding the image above, I would like to try and use some interesting and unusual camera angles. I will be making sure that there are some interesting / mundane objects put into the misc en scene, thus being thrust into more importance, examples being a cigarette box / bottle / wallet and so on. I could do some interesting arching camera movement centering around said objects if I’m feeling brave enough. I’ll be making tests for those ideas shortly.

The genre “Film Noir” has also played a heavy influence on the visual style of this animation. Whilst granted, my project will have a very scratchy / slightly abstract style, I want to have a film noir vibe through the cinematography and layouts. I want to have a heavy use of light and shadowing in order to really emphasize the emotional state of the main character. I will not however opt for the typical sort of music you would get accompanying this style of film.

Silhouetting will be a recurring theme in “Black Dog Days”, so I will be referencing some old Film Noir classics in order to learn how to put it across effectively. This also drives home the fact that smoke is incredibly difficult to animate, so that will definitely be an aspect which I will have to pay close attention to. I was contemplating having the dog in constant silhouette, likening it to a constantly looming shadow, so that is one option I could go for.

Another genre which will help me especially with this artistic aspect, would be the various “German Expressionist” classics available to watch online / DVD / so on. “The Cabinet of Dr Caligari” is the main focal point when thinking about expressionism and my project together. The abstract backgrounds and sets coupled with the unusual costume and make-up design will be fantastic to try out with my characters, to see if it will enhance the viewing pleasure of the audience or not.

TYPICAL EXAMPLES OF “FILM NOIR” CINEMATOGRAPHY

A STILL FROM “THE CABINET OF DR CALIGARI”

I am either going to have the film as monochromatic, solely relying on cross-hatching (like the style which Illustrator Molly Crabapple uses) as a means of insinuating shadow, or have additions of grey neutral tones. I will do a quick test with both of these colour / artistic ideas soon, and upload it here, to show as to whether one or the other works more successfully. I think a mixture of both will look quite interesting. I may even have it so that the background are multiple tones, and the characters moving in the foreground are actually just monochromatic. A visual reference for this which I think illustrates my cross-hatching foreground character idea would be “I HAVE YOUR HEART” – an animation by Crabapple, Boekbinder & Batt.

This point has also made me consider drawing the backgrounds separately to the main animations. Once I have drawn out the pencil tests and get them out of the way, I will start to overlap them and see how it will generally play out between main action and background interaction. I have seen a few pencil tests online by animation students and industry professionals alike, in which they have alternated between using a background / fleshed out character / pencil lines during the testing stages. This is something I plan on making into a test video at some point very soon.

The materials which I intend to use to create the visuals for this animation are what you would typically find in my arsenal of art supplies. All the sketching and base work will be completed using a mechanical pencil / HB pencil and a bog-standard eraser. If I do choose to opt for the neutral tone additions to the backgrounds, I’ll be using Letraset ProMarkers, because they leave a nice solid finish with no pen lines. Nice and fluid! As for the cross-hatching and character outlining, it will either be done using a pigment ink fine-liner, or a high standard black ball point pen. We will all see in further visual tests!

LETRASET PROMARKERS – NEUTRAL TONES (PACK OF 6)

Betty Lip Sync #01

Here is the first basic lip sync test, edited to a sound clip taken from a previously uploaded video, featuring a conversation with my Grandmother, Father, Auntie and I. This was drawn up purely as a draft piece – hence the lack of chin movement. This was more for practice in how I would finalize the phonetic mouth shapes I would use in the final piece.

Once I start doing body and head movements to accompany it I reckon it’ll look pretty good!

Grandma Betty – “Cells with Legs”

Here is a pencil test which I created for the Documentary assignment, depicting Grandma Betty talking from different angles. I felt that mixing it up between front facing view and profile made for some interesting variation, and I thoroughly enjoyed piecing all of the frames together and essentially bringing her character to life! This project is proving to be intense fun!

I drew up 9 basic syllable sheets for each facing view, based around each phonetic mouth shape etc. This meant that I could make some realistic looking speech, instead of it just being static (like my previous digital animation test). I chose to animate to this particular bit of conversation, because for one thing: it was the lengthiest clip which I managed to attain, and secondly: it was a highly amusing clip to record an listen to!

In order to improve on the visual entertainment of this animation, further into the stages of completion, I am going to add panning shots to some small sequences, just to keep things fresh and interesting  Also, I intend on creating little insert shots of Betty tapping a cup or moving around in her chair. or even playing with the edge of a newspaper. This recurring change of shot will keep viewers attentive and interested throughout the animation.

Revised Grandma Betty Lip Sync Images

After playing about with the full alphabet for the lip sync frames in a test animation, a fellow classmate and I discussed and came to the conclusion that keeping the frames to a bare minimum would be much more time effective. I looked at other animators lip sync sheets and charts (found on and about the internet) and took reference from them when narrowing down the amount of frames I used.

A

B / M / N / P

C / S / Z

D / T

E / H / Y

F / V

G / J

I

K / Q / X

L

O

R

U / W